(Perhaps tellingly, she only gets to sing the line alongside her duet partner.) Because while DrakeвЂ™s relationship dissections were once questioning and openly hurt, they too have hardened-at this point, itвЂ™s getting impossible to believe heвЂ™s not the one to blame for so many squandered attempts at love.Д®ven slight tweaks to DrakeвЂ™s usual sound pay dividends here. Rihanna co-stars on вЂњToo Good,вЂќ finally offering a counterpoint to DrakeвЂ™s constant disappointment with the opposite sex when she sings вЂњYou take my love for granted, I just donвЂ™t understand it,вЂќ sheвЂ™s giving voice to all of the women Drake has spurned on record over the years. DrakeвЂ™s fascination with the cityвЂ™s Caribbean enclaves take root in the effervescent rhythms of songs like вЂњWith You,вЂќ вЂњOne Dance,вЂќ and вЂњToo GoodвЂќ-all of them featuring welcomed guest vocals that break up the monotony and also allow Drake to get out of his own brain for a second. And itвЂ™s when VIEWS embraces this more inviting and open-minded side of Toronto that it points to a better way forward. Marked by frigidness and a furrowed brow, much of VIEWS may be true to TorontoвЂ™s darker months, but it also makes the city sound like a pretty inhospitable place.ДЇact is, the 6 is one of the most multicultural places on Earth, a sprawling metropolis in which more than 140 different languages and dialects are spoken.

They also expose the downside of a вЂњno new friendsвЂќ mindsetВ and how aВ bunker mentality can snub out curiosity. ItвЂ™s also bringing out some of DrakeвЂ™s most self-loathing tendencies, playing into his groaning paranoia on tracks like вЂњ9,вЂќ where he laments, вЂњLife is always on, man, I never get a break from it/DoesnвЂ™t matter where I go, I can never get away from it.вЂќ Songs like these play out like dour self-fulfilling prophecies, puffed-up bad attitudes drunk on their own misery. ItвЂ™s essentially a screwed-down take on Kanye WestвЂ™s chipmunk soul, and it has provided a perfect backdrop for DrakeвЂ™s poignant introspection while usheringВ in an entire stage of hip-hopвЂ™s evolution.Д«ut on VIEWS, the style is simply getting tired, its wintry mood now actively blocking any springtime salvation. The atmosphere 40 creates with his music is now synonymous with DrakeвЂ™s Toronto the harsh chill of winter is brought forth via cold snares and ice-cube synths, with the summerвЂ™s relief often rendered through sped-up вЂ90s R&B samples that quietly churn in the background. After having other producers handle the lionвЂ™s share of beats on his last twoВ mixtapes, Drake's longtime musical consigliere, Noah вЂњ40вЂќ Shebib, returns to the head of the table here, with production credits on 12 of the albumвЂ™s 20 tracks. Until the last minute, the album was to be called Views from the 6, and it still serves as an ode to DrakeвЂ™s hometown of Toronto. It confuses loyalty and stagnation, wallowing in a sound that is starting to show its limits. Spanning an obnoxious 82 minutes, the record goes through several musical and thematic phases, but the overall atmosphere is bitter, petty, worn-down. VIEWS is what happens when venting turns into whining. This might seem like a ridiculous distinction-thereвЂ™s never any question that Drake is the star of his own show-but itвЂ™s apt, and it hints at why this album feels like more of a claustrophobic mindfuck than a collective catharsis.

вЂњThis album, IвЂ™m very proud to say, is just-I feel like I told everybody how IвЂ™m actually feeling,вЂќ Drake told Zane Lowe in a toothless recent interview, differentiating VIEWS from his previous work. The record is called VIEWS but its perspective is decidedly singular. But on his fourth proper album, he edges closer than ever to a mirrored abyss, a suffocating echo chamber of self. For the past seven years, Drake has expertly glided along that line. But there is a razor-sharp line between self-awareness and self-absorption: Whereas self-awareness can expand wisdom by reflecting it outward, self-absorption often festers,В drawing things in only to let them rot. When he turns his woes into anthems, we all get lifted. When he confides his fears, we become a little more fearless. From arenas to memes, Drake has always had a skill for turning his innermost thoughts, feelings, and anxieties into breakthrough group therapy sessions-he articulates what we know to be true and then lets us rap or sing those truths en masse, exalting in common bonds that are as vulnerable as they are revealing. Know yourself, the theory goes, and you will know all. вЂњIвЂ™ve always been me, I guess I know myself.вЂќ - Drake вЂњThere are three things extremely hard: steel, a diamond, and to know oneвЂ™s self.вЂќ - Benjamin Franklin

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